he님의 프로필思念人之屋사진블로그리스트 도구 도움말
    11월 26일

    windows 7让我感动的小设计!

     
        装了windows 7之后,非常喜欢开机时四个Windows 7 flag 从远处轻盈的飞过,当时觉得非常像萤火虫,点点的光瞬间汇聚,温暖、真实。
        今天看微软的msnews 讲述了设计师的设计过程,他能从生活中的发现每个亮点,之后运用到自己的设计当中,很难想像,在Redmond 哪个全年阴雨的鬼地方,设计师能想到如此温暖的idea!
        Ebeling 用105帧的小动画让用户在开机时几秒的等待中感觉到熟悉和美丽,现在每天有数百万的用户每天开机时都会看到他的设计,很精彩,不是吗?
        全文如下,share给对用户设计有兴趣的朋友们!
        下面就是我说的小萤火虫,从vista的大圆圈改成了这样一个小可爱,对比一下,你更喜欢哪一个?
     
    windows 7  

    Windows 7 boot animation.

     vista : 

    Vista boot animation 


     

     
     
    Designer Wanted to Give Users Something Beautiful
    Page Content


    Employee Rolf Ebeling was new to the company when he was tapped to design the new Windows 7 startup animation. Ebeling sought inspiration for the animation from the light, color, and energy in everyday things.


    Editor's note: This is the third story in "Seven behind Windows 7," a series of stories featuring employees who helped build the new operating system. Look for a new story every two weeks.


    By Jennifer Warnick
    November 24, 2009


    Sketches of the early Windows 7 startup animation concept
    Rolf Ebeling, senior user experience lead for the User Experience Design and Research Team, sketched the early startup animation concept. He said he looked everywhere for inspiration, including streetlights in the rain, light reflecting off water, and fireflies.
    When Rolf Ebeling was working on the Windows 7 startup animation, he sought inspiration all around him.

     


    He squinted at the way streetlights glowed in the rain. He watched the way light reflected on water. He looked at the electric zigzag of fireflies in flight. Ebeling knew the Windows team wanted something that reflected the feeling of the new operating system—light, color, energy.


    Ebeling created a 105-frame startup animation hoping to give users something beautiful and familiar during those few seconds of waiting. Now, every day millions watch Ebeling's design: four swirling points of light that come together to form a pulsing Windows 7 flag.


    "We never lost sight that we wanted the boot-up to be faster, but thought, 'Well, if people are going to be there we should make it attractive and something that inspires confidence,'" said Ebeling, a senior user experience lead for the User Experience Design and Research Team for Windows, Windows Live, and Internet Explorer (XDR).


    Before joining Microsoft and moving to Washington in April 2008, Ebeling was creative director for Newsweek.com in New York City. In his eight years at Newsweek, he was on call 24 hours a day during one of the most eventful decades in news history, covering everything from terrorist attacks to war to landmark elections.


    A self-taught designer with a degree in English literature, Ebeling's first software job is at Microsoft. Along with developing the startup animation, he also helped with the appearance and functionality of the calculator.


    "It has been an eye-opening 18 months, as you might imagine," he said. "It's a lot to learn. I keep hearing that fire hose metaphor—it felt like multiple fire hoses."


    Rolf Ebeling
    "Having only been with the company for four months and suddenly finding myself working on the first thing millions of people would see when they started up Windows 7 . . . was a peculiar realization to wake up to each morning," Ebeling said.
    What was the biggest challenge or hurdle you faced working on the Windows 7 startup animation?
    Biggest challenge? Having only been with the company for four months and suddenly finding myself working on the first thing millions of people would see when they started up Windows 7. That was a peculiar realization to wake up to each morning.

     


    What was a typical day like working on Windows 7?
    Given that I was learning more about Microsoft and Windows all the time, there was certainly something different to each day. But what impressed me was the regular rhythm of the operation—the consistent attention to visual detail, the frequent communication, the thoughtfulness. Having come from the frenetic, albeit exciting, world of news-cycle-driven design, it has been a rewarding change of pace.


    How did you get customer input about the Windows 7 startup, and how did this feedback change the design?
    Youssef Barakat [from development], Karen Wong [from program management], myself, and many others never lost sight of the obvious: the boot needed to be fast. And we thought long-term—how would this animation feel years down the line?


    Was teamwork important to this project and your feature—how so?
    It still amazes me that I've never met the program manager for the calculator, Gokul Singh [who's based in Hyderabad, India], face to face. Yet despite having to bridge half a day's time difference and thousands of miles between us, our groups struck the right balance between advanced features and designing for everyday usage. That's teamwork.


    What do you need to do your best work?
    Music. I have an incurable addiction to indie rock—especially flavor-of-the-moment UK bands.


    What was the most important or surprising thing you learned while working on Windows 7?
    Partnership is essential. Establishing and maintaining trust with the people you work with—program managers, developers, testers, and researchers, among others—is central to the process of shipping great product design.


    What's the thing you're proudest of in Windows 7?
    The weekend after launch, I walked into a Best Buy just to stand in the crowd shopping for new PCs running Windows 7. Seeing the genuine enthusiasm in people as they tried out the new taskbar or sampled the desktop backgrounds was really satisfying. And knowing that I had the fortune of contributing a small part of someone's new PC experience—that was great.


    Ebeling family
    Rolf Ebeling and family relocated to Washington from New York City, where Ebeling worked as creative director at Newsweek.com.
    Did you look forward to seeing the startup animation out in the world with the launch? How do you think people will react to it?
    I can't lie—seeing a few seconds of the boot animation in a snappy, fun Windows 7 commercial for a Sony touch-screen PC was really exciting. Long term, I'm hopeful those swirling lights and their glow will remain a welcome start to someone's time on a computer.

     


    What's next for you at Microsoft?
    The next version of Windows.


    What do you do when you're not working?
    After hours, I have a great gig as a personal assistant for our two-and-a-half-year-old daughter—helping her dress dolls, adjusting tiaras. At some point, I imagine our three-month-old daughter will want in on this as well. After more than a decade living in Manhattan, my wife and I are enjoying road trips, the trees, and the quiet of suburbia.

    And when no one is paying attention, I'm hunting down import CDs in record stores or fighting for my multiplayer dignity on Xbox LIVE.


    Read more about the development of the Windows 7 startup animation.


    Read more about the Windows 7 startup performance.

    11월 5일

    五花肉的凡高世界--晒新居

          很多年前的生日,Nicolas送了我一本画册《温迪嬷嬷讲述绘画的故事》,很厚,里面讲述了从最早的绘画,文艺复兴、洛可可、印象派等等画作,在哪儿里我爱上了凡高。
         大学的时候在图书馆的尘土里找到了一本《渴望生活》,文字的描述并没有让我对凡高有太深的感觉,直到拿到这本画册。
     
         


          卧室的墙壁上有两幅画,<<盛开的桃树>> ,两株玫瑰红色的桃树生命力旺盛,被他有力而激动的笔触表现得极其饱满,色彩明快,看到了凡高对生活的渴望,他想念莫耐,我知道。

     《夜间的露天咖啡馆》是凡高艺术的巅峰之作,尽管梵高的一生中只卖出一幅油画,但他作品的影响是无可估量的。露天咖啡馆是桔色、黄色表现的,蓝色的夜空深邃无际,繁星点点,显出夜的静谧与安详。蓝色的冷调子与咖啡座的桔、黄暖色形成对比,使夜晚街道上的露天咖啡厅在冷落中显出一片温馨,并与蓝色星空相映而充满浪漫主义情调。
     
     
           紫色的熏衣草是我每天睁开眼睛看到最可爱的小植物。
     
     
     
     
       《艺术家的卧室》,心酸而有力,成双的枕头和椅子暗示出他对高更的想念和期盼,凡高的内心很寂寞。
     
      
       我有一个超长的工作台,一个用有些奢侈,留言板上有很多老照片,被我粘在了上面,有些小了,还想在加一块。
     
     
     
     
       这是一片电影墙,里面有 beatles ,The big blue, friends, 两小无猜还有千与千寻中小寻的头像,粉色的沙发总是让我头痛,太容易脏了。
     
     
    再来一张客厅,有可爱的熊熊,1.5高,还有我可爱的花地毯。
     
     花瓶是从女人街拾回来的,栀子花是我非常喜欢的南方花种,安静懂事。
     
     
      门口的死色,一直觉得百合最合适!
     
     
      和和,下面是鞋柜,上面是两只张牙舞爪的大脚!
     
     
     
     
     
     法国电影 《露西亚的情人》,浴室外面的诱惑。

       凡高的《向日葵》凡高一生追逐的太阳,他用全部精力追求了一件世界上最简单、最普通的东西,这就是太阳。

      厨房,淡绿色的面包烤漆,偶尔无事的周末会做点吃的。

     

     小绿植, 生命旺盛。

     

     

      唯一的一幅莫奈,他的死让凡高痛苦,凡高在纪念他时写到“不要以为死者是死了;只要有人活着, 死者就会活, 死者就会活。”

      凡高有过两次痛苦的失恋,如果他活在现实里,你会爱上他吗?